I made it a goal of mine last year to finish all of Stephen King's Dark Tower series -- a 7 book (soon to be 8) series that sets the entire framework for every piece of fiction King has ever written. I was told that all I needed to do was read "The Gunslinger" and I would be hooked, so I read it one day after finding it for $1.99 at the Goodwill store near my house, which has a surprisingly well stocked selection of literature.
Upon finishing the book, I wasn't hooked.
In fact, it took until the fourth book, The Wizard and Glass before I was even sure I wanted to finish the series, something I did end up doing, somewhat reluctantly I must admit, in the early months of 2012, just missing my initial goal.
Something I can say though is that I love it when writers, artists, directors, etc. create worlds, and with The Dark Tower series, King invented his entire world.
Finding similarities between various works of art is something I really started to enjoy when I began taking English classes in college, and when one artist just hands you the similarities, it just invites one to look into everything they have ever done, and finding out more information about some one-liner character in this story, or some lyric in this song that refers back to that song is something I can't get enough of.
I think I love origins (not so much Origin though, oddly enough).
I remember seeing Alien vs. Predator: Requiem with a friend of mine when it came out 5 years ago on Christmas day. Most people agreed the film was awful, myself included, but when I asked my friend what he thought, he just kind of shrugged and admitted that, "anything that expands the canon of something as cool as Alien or Predator, and therefore, Alien vs. Predator is always going to be pretty cool to me." And that statement has always stuck with me, specifically with regard to all these remakes and sequels to horror films which weren't terribly good to begin with.
In The Dark Tower series, the center of King's entire universe is the Dark tower -- a black tower in the middle of a field of roses where everything in all of existence is tied together. In The Cabin in the Woods, the center of the entire universe of horror films is established as a shabby-looking cabin in the middle of a forest, and miles below sleeps something which could destroy everything. The scenario in this film suggests an origin story for each and every death in every single horror film ever created, as if every villain was sent to serve some higher, horror power.
It's like the New Testament to the Old Testament-like dogma of H.P. Lovecraft's Ancient Ones.
Murder in horror movies may never be truly mindless again.